Saturday, September 29, 2012

The Pearl Ring-- An Essay


            I’m not one that’s much for jewelry. I constantly wear a necklace, and I occasionally put something into one of the four holes in my ears. I especially don’t wear rings; it’s hard to find rings for sausage fingers. In fact, I only owned one ring.
            It’s wasn’t a fancy ring, but it was special. A single pearl sat in a gold band, with two small chips of diamonds on either side, like miniature bookends supporting it. There was a small dent in the bottom of the ring from something that I had done wrong. It was a simple ring, but it held special meaning to me.
            Pearl was the birthstone of both me and my mother. She was the one that bought it for me. Being only eight days apart, June was always a special time for us. I adored June, and our connection with each other. It was a special ring to me, but I rarely wore it, instead, it stayed in a heart shaped jewelry box on my mother’s night stand, along with her earrings and wedding band.
            I never worried about my ring because it sat next to her bed. Anything kept with my mother would always have a place. It would always be safe; I’d know where it was. I never thought anything about it because it was safe. That’s the same way I thought about my mother. I never thought about her as anything other than being there, because she was secure. She was my anchor, in so many ways; steady, beneath the surface, always there, always doing its function, and yet, so often going without the credit it is due.
            Especially to a bipolar teenage daughter finding her own way; a daughter that was much more into her own shenanigans and social life, than into what occurs with her family. She was like the pearl ring, I never thought of it not being there, because it never crossed my mind that one day she might not be there.
            But just as she is gone, so is the ring. After she died, I cleaned my mother’s side of her bedroom. It had been ransacked, robbed, violated in ways akin to rape. My mother was a packrat, but a neat one. Everything on her side had its place, and stayed in its place. The side of her bed that I cleaned was not the neat stacks that I had grown up with. Her neat piles were now shifting dunes. Her dresser had been rummaged through, her jewelry box missing beautiful pieces.
            The heart that had sat next to her bed for so many years, was gone in its entirety. I could accept her physical heart being cremated, in a box, but the idea of that porcelain heart no longer being in our apartment was something different. I wouldn’t have expected it to ever leave, it was an inanimate object, it couldn’t die. It held the pearl ring just as my mother’s physical heart held my love.
            But people, siblings, took her heart, because of its physical worth. Because they wanted money. They stole from the one person who would have gladly given her last to them. It’s hard for me to think of that ring, with its diamond chips and dented band, sitting in the window of a pawn shop.
            I wonder if someone bought it for their daughter, mother or lover. It wonder if that person was born in the moth of June as well. They probably don’t think of the memories that someone else had with it. If they think it might have been a mother’s present to her youngest daughter, the only daughter that shared her birthday month.
            I wonder what my brother and his girlfriend spent that $50 or $100 on, and if it was worth it. Do they even think about that money or that rings two years later? Did they even think about the emotions connected to it? I hope that it served them well.
            For them, it was only worth the amount of money they could get for it. For me, it was priceless, something I would give my lung to have on my finger just one more time.

Am I Feeding Sterotypes?

I've recently been reading about different stereotypes that are present with black people in literature.

The more I read about these stereotypes, the more that I'm afraid that I might have written my characters into said stereotypes.

Are the characters in my play noble savages? Is my female love interest a "magic negro"? Have I allowed myself to fall into the same pitfalls? Would an outside reader, or a critic see me as merely recycling things that have already been seen?

I know the worst thing I can do for my writing, is think about the cares of others, but I can't help it. I try not to, but it happens. I don't want it to happen, but it does.

But the deeper I look in to it, the more I can see so many of my characters can be viewed as some sort of stereotype. But... if I make my characters do everything possible to not be a stereotype, does that make them another stereotype in return?

I will have to look at my other stories, to see if these themes are permeating all of my work, or just some.

Fuck... I really shouldn't be criticizing my own work, especially if there will be hundreds of people doing that for me.

Friday, September 28, 2012

Making God a Character

Sometimes when writing, you have to take a seemingly limitless concept, and give it a form and tangible essence.

That's what I've had to do in one of my stories, to God.

It was really challenging for me, seeing how I would put an omnipotent being, a formless spirit, and make it physically exist. The one good thing about that particular story, is that it really has next to nothing to do with religion, and none of the characters are human, so I can just slide over that entire idea without any sort of mentioning of a particular belief system.

However, there is a scene, where the protagonist comes face to face with the Creator.

Because of the plot, and the very solid personification that I gave Lucifer, I had to do one that was the opposite, and yet, seemed more powerful. To be quite honest, the God in my story may be my favorite character to write.

If you ever have a chance to have a character have a talk with a being that is all knowing, the Alpha and Omega, do it. To know that one of the parties in the conversation already knows every word that is spoken, every idea flowing through the other's head, is fun. For the character, it's incredibly intimidating, although the form God decided to show Itself in was not one that was intimidating.

At this point in my life, the only book I've read where God is a character, with words, is the Bible. I've actually decided to download Paradise Lost on to my Kindle so that I have another source of ideas for God, although God in my story is already one that I know rather intimately.

I wish I was one of those writers that could go into great detail about the reasons why I chose what I did. I honestly don't know the reason why I chose what I did, or rather, I can't explain them in fancy literature talk. But I do know that I'm very much in love with my current form of God, and how It's working for my character.

Maybe after I read Milton, I'll have another opinion on the subject. But as for right now, all I can do is suggest to people to put God in their stories, if It fits, because it will be a very rewarding experience.

Thursday, September 27, 2012

How Many Outlines is Too Many Outlines?

I've never been one to plan out my writing.

I've actually not planned it out so much, that it's rare that I get through anything that I was writing. It was my worst habit, starting something, having a great idea or scene, and then allowing it to fade off into the sunset.

It was a miracle that I finished my play, and I think the only reason I was able to finish that, was because it reminded me of bare bones. I'm still not good at writing very long pieces, and the full story for Elah is going to be an incredible feat.

This isn't about Elah, it's about outlining. I'd like to think that the play is something of an outline for the story, although there are large differences, and sub-plots that I couldn't even write in, I know where the story is going, and what kind of people the characters are.

The first story I've actually fully outlined is called Front of the Whorehouse. It's a fantastic piece, and it's so settling that I know exactly where it's going to go. I love that I know where it's going. With each page I write, I know I'm one page closer to the next bullet mark. With each bullet mark, I know that I'm one step closer to finishing the story. I love that idea, it lets me know that I have 70% more to write (and, maybe 100 more pages). It's not that staggering anymore.

But with that first outline, it made me go gung-ho, and I'm on an outline kick. I've written full outlines for five more stories. Five more full short stories.

I haven't even started these others, and I'm afraid to. I don't want to overwhelm myself with too many projects, but at the same time, I don't want to focus too much on one story, and have my creativity burn out with it. This is such a jacked up conundrum. Considering that I can only go through a few pages a day, if I'm lucky, it might be better for me that I try to spread myself a bit more.

For the moment, I'm just going to continue writing for this particular story as much as I can. I want to complete this, before I start putting all of my energy into something else. I'm trying to learn how to throw myself into my work.

I wonder if anyone else goes on an outline bender...

Well, I should get back to my work.

Wednesday, September 26, 2012

Do Not Mention 50 Shades of Anything To Me

Let me start by saying: I have, and will NOT read that book series.

If there's anything that I know a lot about, it's fan fiction. I've written fan fiction (mostly Harry Potter) since I was 13 years old. Sometimes, I still read fan fiction, enjoying alternate universes that readers can see the characters in. Hell, I also write it still, on occasion.

There are works of fan fiction that are great, such as the Cassandra Clare's Draco Trilogy, which I'm downloading as I speak. It is a masterpiece, this is not.

That is the immediate reason why I am not impressed by this series.

At first, it piqued my interest: BDSM in a series? Well sign me up for a copy! The first strike from the story, was that it was Twilight fan fiction. I read the first book, it was alright, but the culture that spawned from it irritated me to the point where I would refuse to read them.

The more I learned about the book, the more it irritated me. For one, it's not even a well written fan fiction. I've read excerpts on Evil Slutopia, and I can't help wanting to bash my head into the keyboard. The way that the character thinks, the way that the character responds, not to mention the Christian Gray... There are only two Mr. Gray's that I'd have anything to do with: Mr.E. Edward Gray from the movie Secretary, and Mr. Dorian Gray from his novel.

Not only do the characters annoy me, but the way the relationship unfolds annoys me. The story is an entirely inaccurate portrayal of Dominance and submission, and how it should occur. From what I understand about Christian Gray, he's no different that the hundreds (and I'm being quite literal) of Seme's that I've read in yaoi. Hell, I take Iason Mink over Christian Gray every time. Every time.

Unfortunately, every day, I'm forced to hear something about this moronic book, to see the author on day time television, to hear discussions about it. This book is not the Story of O, but people seem to put it in the same category (although I don't consider O to be erotica, but that's a different blog). This book just goes to show me that the state of literature in the world.

I do not want to sound like an asshole/hater, but I know I write better than that. My friends and I write better stories than that. Hell, we wrote better stories than that in our freshman year of high school. I just dislike that this book is seen as the bees knees, when it's really not.

I've heard from people that the book does have upsides; it's bringing to light BDSM, and having it discussed, is a good thing, especially for those that are shy about such things. I guess that's a good thing. Anything that opens up discussions is a good thing.

But this book is a Twilight fan fiction. That is badly written. That has been mentioned to me so many times that I make sure to let people know my feelings before even bringing it up. And for these reasons, I want nothing to do with it. Some people may think that I'm just talking a big game. I'm not.

I just realized something positive that this book has done: it's forced me to be even more diligent about my writing, so that I can show people what good erotica reads like.




Tuesday, September 25, 2012

Loss and its Effect On Writing

If there's anything that I've learned from experiencing death, it's that it definitely affects ones creativity. I know that when my mother died, it did something to my writing.

I didn't do any real reading, besides National Geographic and Smithsonian articles, and I really didn't do any creative writing. The one thing I did write extensively, was my diary.

In it, I was able to chronicle everything that was happening with my mom, with my family. It's not something I look back on. I avoid reading that particular diary because those emotions make me feel as if my heart is exploding. I've only written about it once, for a school project on the grieving process. My teacher told me she didn't read it, but she kept it as proof that I wrote it. I guess it forces someone to face the mortality of their own parents.

Anyway, back to it, and my writing.

Because of what I went through, I'm now able to effectively write about loss. It's not something I'm proud of, nor is it something that I've actually used much in my writing.

Not long after my mother died, I tried to write a piece about a girl whose identical twin was dying, in the same manner that my mother did. It was a story, beside the fact that the characters were identical twins, many people could relate to. It never panned out to be more than a re-telling of my mother.

I actually did use it, use my diary to write the death of a character in my teenage diary tale. I need now only to get the entries into order, and make sure it's a cohesive story, beyond the teenage shenanigans.

Another thing I noticed after my mother's death, was how I had written death before that time. I must admit, it was rather convincing. I had all of the "right" things, and it struck the same chords inside me, but it didn't have the same poignancy. It was merely me regurgitating whatever I had read before about loss.

Now... it's a reality that I've experienced oh too personally. It's made me rethink things that are important to my characters. I now make them face their own mortality more, and the mortality of their loved ones. I make them think of a world without that specific object of their affection. I force them to confront what I've confronted. I think it makes for multidimensional characters, which is always a good thing.

I wonder if anyone out there has really put their loss to work for them. I'd love to know...

Thursday, September 20, 2012

Putting in my 10,000 hours

I've read that in order to truly master something, you must put in 10,000 hours of work. That is a daunting task, even for the most dedicated writer.

It is even more daunting when I feel I am not meeting my potential.

I've made several mistakes, things that I should know better about:


  • I've neglected my reading. Recently, the only thing that I've read was The Last Unicorn by Peter S. Beagle. It was a beautiful book. It made me cry, it was stunning, it's a book that I would read to my brats if I;m ever to have any. I read another novel, but it wasn't the type of that I usually read. Those two books, and a slew of National Geographic and Smithsonian magazine articles. I used to read hundreds of pages a day.
  • I'm not writing the way that I usually would. I get through a few pages a day. For me, putting in a solid hour is a miracle day that would go down in the annals of history. I know I shouldn't judge myself based on what other people do, but I know that if I want to be a professional, and taken seriously, I must put in the hours.
  • I misuse my Kindle. I knew, deep down inside, that there was a reason that I wanted to e-reader kindle, and not the Fire. With the fire, I've only read a few books, but I play a lot of awesome games. But getting perfect scores in Bubble Blast, or figuring out the puzzles in 100 Levels. I think I will read Uncle Tom's Cabin, since I have it.


I'm not sure what I should do. I think that I will set a schedule for myself, especially while looking for a job. I need to look for somewhere to publish my writing. If I find somewhere, I'll definitely put a link to it up here.

Tuesday, September 18, 2012

Untitled Love Poem


Sometimes when I’m alone
I whisper your name to myself
I look to see how it rolls off my tongue
To see if it give me electric currents
Deep through my core

When I really love someone
I do not want to kiss them.
I want to lick their tongue and taste their insides
Their lips are like two uncooked chunks of chicken breast
Sans the salmonella.

Sometimes I want to know what you’re thinking
And see what goes through your mind
I wish your thoughts were projected
Onto the wall you stare at
So we may enjoy them together

I want to let you know what I’m thinking
To confess each though that passes through my mind
To let you know even the ones I try to pretend don’t exist
But I’m afraid
No one is privy to the entirety of my mind

I wonder what I should call you
If there is a title for what we do together.
Are we fuck buddies? I like that phrase
Because it makes me feel as if we’re friends
But wee are not friends,
Not really
I’d never call you boyfriend.
We’re not teenagers in high school
I think I’ll just call you by your name
Since it has become my favorite word.

I Love You-- A poem


I love you
I love you deeper
I love you longer
I love you harder

I want you
I want you deeper
I want you longer
I want you harder

I want to please you
I want to please you deeper
I want to please you longer
I want to please you harder

You are the center of my universe
You are the center of my being
You are the meaning of my existence
You are my reason for being

I am yours
I am yours deeper
I am yours longer
I am yours harder

Use me
Use me deeper
Use me longer
Use me harder

With your touch
With your word
With your caress
With your glance

You control me
You control me
You control me
You control me

I am intelligent
I am crafty
I am beautiful
I am orgasms incarnate

I wish to please you
I wish to serve you
I wish to enjoy you
I wish to love you

Pull me
Use me
Slap me
Bite me

I am yours
I love you
I love you
I love you