"Fallout" By Ellen Hopkins Review!

Man, have I been on a roll with reading. It's really making me feel smarter, and it's loosening the bonds of writers block.

For the last two days I've been reading "Fallout" by Ellen Hopkins. Before I even get into the review deeply, I have to say that this book is the last in her "Crank" trilogy, so do not read this until you've read the first two books. And, that this review is going to be more like me gushing about how much I love this author.

I came across Ellen Hopkins when I was reading books about drugs a few years back. I took Crank out the library because I thought it was cool that the words looked like lines of coke. I didn't know what the book was about, I didn't know what the Monster was (in NYC, the Monster is usually used as a code for HIV), I didn't know what it did to your body.

The books looks intimidating from a distance (or like an awesome challenge to someone that loves reading), but then when you begin, you see that it's written as poetry. Usually I try not to talk about plot too much, but I have to in this case. "Crank" is a fictionalized version of Hopkins' daughter's battle with crystal meth.

I really didn't know what an epidemic the usage was, but I'd seen those horror photos of people before and after meth. I didn't know that it was so widely available in so many places. I didn't know anything; this book taught me nearly all I know. This trilogy of books cover over twenty years in the lives of the character, and her children. "Fallout" is the story of her children.

The first thing I have to say, is I love Ellen Hopkins style. In this book, the three different protagonists/narrarators have three different styles of headings, three different type faces. At first I thought my eyes were playing tricks, they're not. And then her poems themselves... I hope that there is a picture I can insert here (there wasn't, but at the first link, she has some amazing samples, and an awesome summary of the story better than this review lol). Her poems aren't written straight forward. Sometimes they tumble down the page, sometimes they take shapes, forms of letters, question marks. Quite a lot of the time, there is more than one poem in the poem, and I have to urge you to read the initial poem before reading the side poem, or you might get the wrong idea. Sometimes, the poems are part of a series of poems, and the side poems are a series of poems.

Each of the main characters have their own demons that they're fighting, their own issues stemming from the Monster. It shows how meth doesn't just effect the user, it effects everyone they come in to contact with, especially their children. I think this book should be on ever middle school mandatory reading list, especially in areas where meth is an epidemic. I always knew that there was a list in the back of my head of no-no drugs, and there is a reason why meth is at the top of that list. With "Crank" I saw how the protagonist, someone that could have been one of my friends, dabbled in it, and what happened with her life. It steals everything that ones has, and it rots holes in your brain, and metaphorically speaking, in your heart.

Unlike most of my other reviews, this book is an actual hard copy of a book; I held it in my hands, I flipped pages, I had its weight with me in all the rooms of my apartment. This is a book that will make you talk to it, talk to the main characters, whether you're urging them to take another path, or cursing at them for the choices they made (I did that a lot). The characters aren't perfect people, they're young adults, like me, but they grew up so very different from me; maybe they grew up in ways like some of you. And although they're siblings, they grew up so very different from each other. Even thinking about the things they went through, it makes me feel a type of negative way.

My recommendation for someone that wants to jump in to Ellen Hopkins' books, take them out the library. You can start with "Crank" or one of other stand alone stories. But if you start with "Crank", I really suggest taking "Glass" and "Fallout" out at the same time, because you're not going to want to wait to read what happens next. These are some of the few books I thoroughly plan on owning in my private library, hard copy, and if I can, getting them signed. Ellen Hopkins' is simply one of the best young adult writers out there.